Made with Love

Amy's Listen to this with me

BBC in Concert - Genesis (July 12, 1975)



This is believed to be the April 14th or 15th, 1975 concert from Empire Pool, London, UK, originally broadcast on BBC Radio on July 12, 1975.

This is from The Lamb Lies Down on Broadway tour, with Peter Gabriel as lead singer. It's about 69 minutes long, and about 99 MB in 192 kbs .mp3, for download. Most likely, this is the complete radio broadcast, but not necessarily the complete concert performance.

The file originates from a bit torrent site called thebox, and full details about the show would have been included, but the web page no longer exists, since the site was shut down in September, 2012.

I don't know if this was taped from radio during the original 1975 broadcast, or from a subsequent rebroadcast, but the original July 12, 1975 broadcast date is verified, and the performance is from Empire Pool, but no one is sure if it's from the April 14 or 15th, 1975 show there. The exact performance date was probably included in the page description at the box, either by the uploader, or from someone with direct knowledge, in the comments section.

I've never heard this show in its' entirety. I wasn't a fan of Genesis, or other Prog bands from the 1970's. I just saw the acquisition of this file, when available, as being more valuable than 99 MB of empty disk space. Someone here may place a greater value on it than that.

I didn't mind Peter Gabriel era Genesis, but they were played too often on local FM radio in Montreal, so I couldn't avoid them. I despised the band after Phil Collins became lead singer. In high school, we called them Penises, from 1976 onward.

Sample set list from this tour:

https://en.wikipedia.org/wiki/The_Lamb_Lies_Down_on_Broadway_Tour

I don't know which of those songs are part of this performance, but I can tell you that the show opens with Watcher of the Skies.

This was the first or second tour date in the UK, on the November, 1974 - May, 1975 world tour. The Canadian tour dates were December 15, at the Montreal Forum, and December 16 at the Maple Leaf Gardens Concert Bowl, so roughly half to two thirds of the Gardens, with the stage moved forward, and seats behind the stage not sold, if the concert bowl configuration at MLG was the same as in Montreal. They did that because they expected a crowd in the range of 10,000, or so, and they wanted a smaller portion of the arena to be filled, as opposed to having the full arena half full. They were popular enough in Montreal to have sold out the Forum within 1-2 days of tickets going on sale.

All Progressive Rock bands in the early and mid 70's were hugely popular in the Montreal area, often long before having any significant following elsewhere in Canada, or the United States. This was largely due to the individual tastes of influential local FM radio DJs on the major radio stations CHOM-FM and CQOI-FM. CHOM had bilingual content, and CQOI was a French station, but most of the music played on both stations was from British bands, and too much of it was Prog, for my tastes. I rarely listened to CQOI, except when "Coco"'s show was on. He was sort of a French Wolfman Jack.

I used to talk to Doug Pringle on the phone a lot. Doug was the afternoon DJ on CHOM, and he'd talk to people for an hour, while doing his show, frequently interrupting the conversation while he changed the record on the turntable, or had to make an announcement, but he'd get back to you, as soon as he finished his task. Doug would even play several requests for you, during the conversation, as long as you asked for songs that he liked himself.

He didn't play much Prog; that was mostly the night time DJ's preferences. Doug played a lot of edgier pop, like early Kinks, The Pretty Things, Roxy Music from the Brian Eno era, Sparks, Steve Harley and Cockney Rebel, and stuff like that. Doug was replaced around 1975, because not enough people shared his music taste, and the station lost market share in the afternoon. By then, I was buying my own music, and listening to the radio less, but I learned a lot from Doug, when I was about 13 or 14.

The radio stations then didn't shill for the big record companies. They sold their advertising based on the popularity of their DJs music tastes, and if the listeners liked what they heard, one DJ's taste made obscure bands popular enough to fill the Montreal Forum, at a time when they might have been able to fill Massey Hall in Toronto. Unfortunately, too many of the bands that broke big in Montreal before anywhere else were Prog bands.

The same arrangement existed in Cleveland, Ohio, but the DJs there had better taste, and that's probably why the Rock 'n' Roll Hall of Fame isn't in Montreal.

Anyway, enjoy, if you like this kind of music. I don't, but I didn't upload this for me. I own a copy, but I don't listen to it.
 
Led Zeppelin - BBC In Concert, April 1, 1971



I think this is the whole show. It's about one hour, 47 minutes long. This is from the radio broadcast, with John Peel introducing. The show has been released on CD in Japan, and set list details can be found on this page:

https://www.discogs.com/Led-Zeppelin-BBC-In-Concert/release/3439739

A lot of live music was played on radio in the UK, because the musician's union was very strong in Great Britain, and strict limits were placed on the amount of studio recorded music that could be played on the radio. A band could have the number one single in the charts, and the song was only allowed to be played on the radio two or three times a week.

Bands that wanted to have their songs played more than two or three times a week usually came on John Peel's radio station, and performed the songs live for broadcast, from the radio station. Those performances sound somewhere between the recorded version, and the version that would have been played in concerts. This is a big reason why the British bands were usually better in concert than bands from America in that era; they had to be able to play their songs live, instead of having a producer create a studio recording from snippets of sounds recorded in the studio.

A lot of the bands that were popular in Britain, but not in North America, were really ugly guys. They weren't athletic, and the only way they could get laid was to be in a rock band. If you're listening to a band on the radio, you don't care what they look like.

The less talented British bands that were popular in North America usually had lead singers who could be marketed to pre teen and teenage girls in magazines like Tiger Beat. Many of those bands didn't play their own instruments on their hit records, but they had the right look to sell to a North American audience. If they played concerts, it didn't matter if they couldn't play their instruments; no one could tell, over the noise of screaming teenage girls, and in those days, (mid 60's), the headlining band at a concert was usually on stage for about 25 minutes, after three or four support acts. They often played both an afternoon and an evening concert, in North American hockey arenas.

Some of the bubble gum bands from the late 60's had one group of guys who played the songs in the studio, and another group of guys who pretended to be them, in concerts, or on TV appearances. That was easy to do, if the TV appearance was a lip synched mime performance of a studio recording. A dog with peanut butter on the roof of his mouth can lip synch. In the UK, that was common into the early 80's. Guys who wrote songs would hire studio musicians to record them, and if the song was a hit, they'd hire attractive people to 'be the band' on Top of the Pops. Sometimes a real singer would be the 'front man' for several acts, simultaneously.

In 1970, Tony Burrows appeared four times on the same episode of Top of the Pops, because he was the lead singer of studio acts Edison Lighthouse, The Brotherhood of Man, White Plains, and The Pipkins, and all four acts had hit records at the same time. He probably had to change his clothes on commercial breaks, or while other acts were lip synching, but no one knows anymore; that's one of the episodes that doesn't exist anymore, because someone at the BBC wanted to tape over the only existing copy. The video tape was considered to be more valuable than the show on it, so it's been lost forever.

Burrows was also the lead singer of First Class, who had a hit single with Beach Baby in 1974, and also The Flower Pot Men, who lip synched a shitty song or two on Beat Club, the German version of Top of the Pops, in 1967.

Some of the performers from the UK who weren't good enough to make it at home were very popular in Germany in the 1960's, but nowhere else. The Germans are not known for having great taste in pop music; one of the biggest music stars ever in Germany was David Hasselhoff from Baywatch.

Led Zeppelin could be marketed to an older teen and adult woman audience, based on appearance, and they had superior writing and performing skills, so they were the biggest band on the planet for over ten years, while rarely releasing a 45 RPM single. I think their last 45 released in the UK was Immigrant Song, in 1970, with Hey, Hey What Can I Do on the B Side. The B side wasn't on any album, and wasn't re-released until the late 1990's.

I actually have a copy of that single, on the Atlantic label, AT 2777, a Canadian pressing, with no picture sleeve, but the both sides have the shit scratched out of them, so I probably couldn't play this on a turntable, without the record skipping over and over. You put a record like that on the wall, so guests can look at it, when they're looking around at what's on the wall.
 
Kaneholler - Something New



This is the band I saw last week, at The Mod Club, with Steven Tyler's daughter Chelsie as lead singer. If you like them, download the free .mp3 files in post #500, on page 25. The band gave me permission to give those to you.

I thought the band's name was two words, but it isn't.
 
Cher - Medly: Half Breed, Gypsys Tramps & Thieves/ Half Breed, (Las Vegas, 1999)



I actually own an original copy, (without the picture sleeve), of Gypsys Tramps & Thieves on a 45 RPM vinyl record, on the Kapp label, K-2146, with He'll Never Know on the B Side, which I've never heard. I think Gypsys should be spelled "Gypsies", but it's spelled Gypsys on the record, and the artist is listed as Chér, with an upside down grave from upper right on a standard keyboard used to make the acute accent on the e. Both sides are in Mono sound, because the single was marketed for AM radio play.

Gypsys Tramps and Thieves was Cher's first #1 hit on the US Billboard singles chart, (also a #1 hit in Canada), and her first top #100 hit as a solo artist since You Better Sit Down Kids peaked at #9 in 1967. It was the fourth largest selling single in Canada in 1971, and Cher's first hit that had nothing to do with Sonny Bono. Bob Stone wrote it, and Snuff Garrett produced.

There is a video of the song, from a performance on The Sonny and Cher Comedy Hour, from 1971. I probably saw that, when I was ten, because we only had the one TV, so I had to watch whatever the rest of my family picked, but that was one time, I didn't mind that. The show was pretty good.

It was clear by then that Sonny was still trying to call the shots, but Cher was his sidekick, not the other way around. Madonna has always been a Cher wannabe, and Britney Spears a Madonna wannabe. Celine Dion is a stick insect.

Cher was the original pop diva of the television age. She's about 67 now, and I don't know about you, but I'd bang her. I'll bet IfYouSeekAmy would, too. Cardinal Fang would be overjoyed to have the opportunity to massage her feet.
 
IfYouSeekAmy said:
No thank you, bito.


Jasper, this is the song I was referring to...
Art Garfunkel - All I Know

[video=youtube_share;IaBjY-zm0sI]https://youtu.be/IaBjY-zm0sI[/video]

Really? You'd say no to a horny Cher? I guess your standards are higher than mine!

Some French Canadian music:

Raoul Duguay - La bitte à Tibi



Aut'Chose:

Nancy Beaudoin:



Hey You Woman:



Blue Jeans Sur La Plage: ('Blue Jeans on the Beach')



Raoul Duguay performs original French Canadian folk music, using traditional instruments. Aut'Chose, ('Something Else'), were a 'bigger than a bar band' act, fronted by Lucien Francoeur.

Both acts perform in the French-Canadian joual dialect, that no one who speaks Le français Internationale will understand.

Joual, a bastardization of 'cheval', (horse), mixes truncated French, English words, and 'francified' English words, and is the French equivalent of English cockney, or Jamaican patois.

A typical conversation in joual, at a 'McDonald':

"Bon, j'en veux un hote dog, un hambourgoise, un gros Coke, 'puis large fries, to go.".

"Veux-tu d'un apple pie chaud?"
 
I'm curious as to whether other people can still see the 'pirate videos' I posted on page 26, beginning with The Trees in #501. I can't see them anymore, after uninstalling and reinstalling my browser.
 
Been ten years since I heard this song. Sigh! Such a gorgeous voice

Bette Midler - To Deserve You

 
This from Jimmy Page’s facebook page on which he says ‘too good not to share’. It’s 7-12 year old students rehearsing Zeppelin classics.
 
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